
Poet and songwriter Paul Ilechko is the author of three chapbooks, most recently “Pain Sections” (Alien Buddha Press). His work has appeared in a variety of journals, including The Night Heron Barks, Rogue Agent, Ethel, San Pedro River Review, Lullwater Review, and Book of Matches. He lives with his partner in Lambertville, NJ.
Coming From Torture
The twisted gnarl
and stump of malignant
trees decapitated
to make way for trails
of looping wire that carry
pulsing signals of an archaic
technology their tortured
limbs chopped flat
their sickly gray torsos
bending backwards away
from the street arched
and braced against the roar
of traffic where the migrants
drive to work
early mornings
they make their way to
the plant their memories
filled with broken bodies
and shattered bones
and the premature burials
for those who failed to trace
a path to safety not seeing
the shadowy trees not
seeing the abundant sprawl
of latent growth bursting
forth in all directions from
where a branch was severed.
Shore Crabs Race to Freedom
Daughter … we saw the crabs once … at the shore … it was a sunny day … and it had been a long drive … and there on the pier … we watched as Keith caught the crabs Daughter … we saw them scuttle … across the concrete of the pier … and it was every concrete place … in every modernist building that I’ve ever seen … in this modern word of brutalism … pale and angular amidst the brilliant chauvinism of light and heat And as we watched the crabs make their bid for freedom … daughter … I was merging into the pier … and everything it represented … in this time and place I was falling … daughter … I was falling in so many ways … as the crabs reached the edge of the pier … and leapt back into the welcoming darkness … but I was already submerged as the water filled my nostrils … and my bubbles burst to meet the crabs as they broke the surface tension … and my bubbles … and their breaking … were connected … as we all escaped the concrete unforgiveness together Later that same day … I won you a stuffed animal … in the arcade
Weighted
How many mouths do you have he said
I feel swallowed
as I melt into your skin
your crocodile skin
your crocodile tears are an impossible weight
as our masses intersect
within the language
of mathematics
* * * * * * *
I am not you he said
just as I was never she
as I was never he
I seem defined by negation
by the thickness of my covering
my crocodile skin my ruptured integument
as my inside escapes
into the weighted algorithm
of atmosphere
* * * * * * *
Your hands are polished he said
the way they slide over me
like mahogany
or any other ancient wood
that gleams of leather and franchise
of the wealth of centuries as my skin
glistens
with the sweat of fear and camphor
* * * * * * *
You locked all the doors he said
such heaviness surrounding
such empty interiors as I slide
across the metal floors and carve
my way
through empty passages searching
day after day for the source
of the stink of disruption.
