
Jason Ryberg is the author of eighteen books of poetry, six screenplays, a few short stories, a box full of folders, notebooks and scraps of paper that could one day be (loosely) construed as a novel, and countless love letters, never sent. He is currently an artist-in-residence at both The Prospero Institute of Disquieted P/o/e/t/i/c/s and the Osage Arts Community, and is an editor and designer at Spartan Books. His latest collection of poems is “Fence Post Blues (River Dog Press, 2023).” He lives part-time in Kansas City, MO with a rooster named Little Red and a Billy-goat named Giuseppe, and part-time somewhere in the Ozarks, near the Gasconade River, where there are also many strange and wonderful woodland critters.
Ghost Town Memories
If
there’s
one way
not to spend
the already brief
and unspecified allotment
of time that’s been given to you, then I’d think spending
the second half of it obsessively and
meticulously sifting through the old,
faded ghost town memories of the first half, for where
and when, exactly, it was you
think things started to
go so wrong,
surely
must
be
it.
My Own Personal Underworld
It
would
seem he’s
part soldier,
harlequin and high
trapeze artist, this guy, I mean,
who visits me in my dreams, sometimes, like my very
own personal Virgil, giving me the first class
guided tour through what appears to be
my own personal underworld (that, while not being
particularly hellish, by
any means, still has
a kind of
moody,
weird,
old
late,
late
movie
atmosphere
about it, as it
plays out beneath a circus tent,
let’s say, stitched together from
silk bed sheets and night gowns,
within the ruins of an old gothic cathedral
full of strangely calm black chickens.
Alarm Clock
Sometimes I wonder
if my life would have turned out
differently if I’d
been woke each morning by a
kinder, gentler alarm clock.
