Jae Jenkins Scott

Jae Jenkins Scott is both a page and a performance poet – fusing complicated impassioned performance with yesteryear’s words. Lyrical and peppered with folk melody, his heartbeaten poetry finds rhythm and power on stage. Aberdeen born but self-confessed latterday yellowbelly, Jae writes and collaborates with the Linklings Spoken Word collective co-hosting SpeakEasy at The Green Room and the Guild Sessions Poetry in Lincoln. Jae’s first fully illustrated collection, ‘Leviathan’ was released by Impspired Press in October 2023, enjoyed a week in the Amazon UK Top 5 Poetry Books and was reviewed by celebrated Playwright and Director, Wayne Drew, as a ‘culturally rich and resonant new work. Heartily recommended not just to lovers of fine literature but all those seeking inspiration at these dark and depressing times.’ Jae’s North of England 2025 ‘Fall of the Fourth Wall’ Tour is currently keeping him from finishing his second collection. Here in recompense, therefore, is his recent piece ‘Medusa’ inspired by the latter ancient greek revision of the myth which scared the dickens from him as a child. Jae stands behind the poem’s exploration of the blaming of women as victims in the histories of patriarchal societies. And he likes the internal rhymes.

Medusa

Pinned beneath the snakeskin of the male gaze
She felt unstable, brazened, cradled in that way that women talk
As the politics of envy carves this fable
Washed, Poseiden looked unstable
Crashed his hands upon the table
Resolute. No longer able
To accept another label
Redder flags than Cain and Abel
She’s unable
Anymore to listen to the painful, playful music of the spheres


Poseidon rises idly as Medusa’s used to
Little better than his weak, unfettered, wettened hue
Even if he does control the waves and deeper blues
The term ungodly oddly crosses both her mind and this sea view
Reminds herself quite reasonably that treason comes to kings before a coup
Reminds herself that though he wholly uses language of control
This choppy, stormy, horny rock and roll star
Never really could inflict the scars
To punish her the way that Sisuphus foretold
Reminds herself again that waves can break, for goodness’ sake
Displeased, the sea god’s wrath could kraken waken
Make no mistake you’re not forsaken
That bastard may control the seas
He can’t break you


Needing just a little headroom
She wakes to see Athena’s bedroom
Realising she needs to leave soon
Medusa’s future self reflected all that happened next beneath Selene’s moon
Dreaming that she not been seen there
By Athena
In the Queen’s glare, everything begins to change


Set serpentine as turpentine, the poison through her veins
The twist in her indifference didn’t match, as yet, the fury of her name
Trapped in sap an amber vampire rambles
Through this vanity of campfires
Begins to frame another way to win a wicked game
Where her curls unfurled the heavens lightly syphoned off the same
Marble stone in place of serotonin only letting keratin
Tighten into whitening pythons
Iced across her scalp like arctic ships
Formed in thalassocracy
Tongues like lightning forked and frightening
Twix, between the devil and the deep blue sea


Styx and stones may break the boatman’s hold upon the ocean
Don’t then doubt then duly punished, undiminished
Now a mortal daughter of primordial immortals
She swore her oath to Gorgon siblings
Impervious to bows and slings
Mother to a horse with wings
Medusa faced the horror of the horror of the thing


She’d never rest on her ophidian laureate
Never rest in Elysian Fields
Even later when decapitation faced her once she’d faced herself inside his shield
On reflection Perseus’ courtesy was gory
Told in Orpheus’ song of glory - stuff of stories
Gratefully memento mori
Only granite glances sideways might devise ways to reveal the way she feels


To look from me to you, Medusa
And in the mirror, look from you to who you could have been
Far from me to ask that you forgive a gargoyle
Forgive yourself for only snakeoil made you seem obscene
Sometimes you need a second guess to read a history
To gather all the shadows of a story’s entourage
Allow them all to sit and share where fallow flames flick
For on the wall, we can’t tell who the monsters are






Leave a comment

This site uses Akismet to reduce spam. Learn how your comment data is processed.